Showing posts with label john scurlock. Show all posts
Showing posts with label john scurlock. Show all posts

21 May 2012

John Scurlock's "Snow & Spire: Flights to Winter in the North Cascade Range"




John Scurlock makes his living working as a paramedic for the Bellingham Fire Department, but finds his calling soaring high above the North Cascades in a small yellow aircraft that he built with his own hands. Flying in all varieties of unpredictable weather above the raggedy peaks and yawning glaciers of our “American Alps,” he circles his snowy subjects, does his best to focus his Canon 5DmkII 21 MP digital camera through the plexiglass canopy and captures vistas most of us will never see with our own eyes.

The results reveal a vast landscape buried in snow and encrusted in ice, a wintery terra incognito of terrifying beauty and austere grace: the frost-bound North Face of Mt. Triumph, impossible cornices on Cloudcap Peak, fire lookouts encased in rime, the Pickett Range hidden in mist, Mount Baker’s shining snowfields, Ripsaw Ridge and Skagit Queen Creek and Park Creek Pass in snowy, silent repose. This is the terrain that holds the world’s record for most snowfall ever recorded in a single winter, and Scurlock’s photography unveils the artistic potential of this seldom-seen northern range: “something primitive, forbidden and inaccessible, yet also profoundly and exquisitely beautiful,” according to Scurlock.

Scurlock's first book, Snow & Spire: Flights to Winter in the North Cascade Range, is a coffee-table-sized collection of his aerial photography published by Wolverine Publishing in Colorado. It represents a culmination of several years of determined labor and features stunning reproductions of his body of work, plus essays by geologist David Tucker and mountaineering historian Lowell Skoog. A display copy in the window of Winthrop's bookstore has attracted more walk-in traffic than they can remember for any other book, and the initial print run of a few thousand seems destined to sell-out as word spreads through Scurlock's networks of climbers, nature photographers, NPS and USFS staff, pilots, naturalists, scientists and other friends.



Christian Martin: When did you first start photographing the North Cascades from the air?

John Scurlock: My first aerial photographs of the North Cascades were in the 1990s when I flew up there in a Cessna with a friend, looking at routes in the southern Picket range for a possible traverse. But my first digital aerial images were in early 2002, when I began photographing Mount Baker and got connected with Dr. Kevin Scott at the USGS/Cascades Volcano Observatory. That led to my meeting with his associate and friend, Dave Tucker from Bellingham. We've collaborated extensively since then, with me supporting their research into the geologic and volcanic history of Baker. I started photographing the rest of the range in winter after I observed the winter mountains while flying above and around Baker. Because of my familiarity with the North Cascades through climbing, I knew I was seeing the mountains in a condition that was really unknown, and I knew photographs of the range in winter either were very limited or didn't exist. That led me eventually to my great obsession…



CM: What were the outlines of your obsession?

JS: Well, I was familiar with the range from climbing and hiking in the summer, but I realized at the outset that seeing the mountains in winter was an incredibly altered condition from what I was used to. I marveled at their stunning beauty after this snowy transformation. I knew I was seeing things that no one else had ever seen or photographed, and that led to my determination to somehow photograph the entire range from the air during the winter. I didn't dive right in however, but rather gradually expanded my boundaries as I gained experience. At this point, I am fairly satisfied that's I've flown into every nook and cranny of these mountains during winter.

CM: When did you begin flying?

JS: I had always wanted to fly, since childhood. I had thought that nearsightedness disqualified me, until I found out in my 30s that I could still be a pilot, though not professionally. After getting my pilot's license, I wanted to own a plane, like all pilots dream of. It was suggested that I could build a better plane than I could buy, and so after some investigation, I started in on my plane, a kit called an RV6 from Van's Aircraft. It took nine years to build, as I traveled, hiked, and skied extensively during that time. It's a small, 26-foot, two-seat tail-wheel plane of conventional construction. It's very versatile, with a fast cruising speed, good handling at slow speeds, generally docile, and a service ceiling of more than 20,000 feet. The design has stood the test of time, and it has proven to be a really great airplane.



CM: What is your goal in photographing the North Cascades and sharing these photographs?

JS: My goal with all my photography, and this book in particular, is to share the amazing beauty of the North Cascades in winter, from every aspect and angle. I've been enormously privileged to see things that are nearly incomprehensible in their wildness and wonderful aesthetics. I've been so fortunate to be in the position to photograph what I've seen and share those images with everyone else. Photography is the means to accomplish this; digital photography, a great airplane, and obsession are the driving forces, and not a day goes by that I don't remember how fortunate I've been in this endeavor.


31 January 2012

Northwest Natural Bookshelf: Notable regional titles in 2011

Reviewed by Christian Martin

David Hall (University of Washington Press)
Skilled diver David Hall is obsessed with the weird cold-water ecosystems found off the northern Pacific Coast, with their iridescent squid, ghostly salmon, glow-in-the-dark jellyfish, psychedelic nudibranchs, curious seals and neon anemones. It is a great gift to all of us landlubbers that Hall is also a photographer who, through state-of-the-art equipment, innovative techniques and plenty of fearless gumption, captures this hidden world in glorious images rich in color, detail and ecological context. It is bewildering to learn what unseen life dwells just off of our local shores, and how little we know about this mysterious and beautiful world.

Ana Maria Spagna (OSU Press)
Stehekin resident Ana Maria Spagna writes perceptively and generously about the ties that bind communities: people to people, people to place, self to story. Also serving as a memoir of her travels near and far, Potluck celebrates the ordinary rituals that define our lives.

Edited by Thomas Lowe Fleischner (Trinity)
An environmental studies professor at Prescott College in Arizona, Tom Fleischner’s local roots stretch back to summers spent working in North Cascades National Park and the founding of North Cascades Institute. Defining natural history as “a practice of intentional, focused attentiveness and receptivity to the more-than-human world,” his vision of a zen-like study of the natural world is fleshed out in this volume with essay and poetry contributions from Jane Hirshfield, Robert Michael Pyle, Kathleen Dean Moore, Robert Aiken, Scott Russell Sanders and others.

Lorraine McConaghy (Sasquatch)
A unique and entertaining way to explore our state’s history, Lorraine McConaghy – historian at the Museum of History and Industry in Seattle – assembles a wide-ranging selection of documents from public archives to tell the century and a half story of Washington State. Presented in colorful, sharp images, these documents range from the first telegraph to the new Washington Territory from Abraham Lincoln, the Point Elliott Treaty and a program from the 1909 Alaska-Yukon-Pacific Exposition through to FBI files on D.B. Cooper, blueprints for the Kingdome, radio transcriptions during the eruption of Mt. St. Helens, a handbill from the WTO “Battle in Seattle” and poster for SubPop’s Lamefest featuring an unknown band named Nirvana. Even ordinary artifacts like letters, wills, cartoons, menus, snapshots and advertisements provide insight in to the extraordinary trajectory of the Evergreen State.

David Suzuki (Greystone)
In 2009, Vancouver-based broadcaster, author and elder environmentalist David Suzuki gave a last lecture that synthesized his perspectives and insights on the fate of the world: where we’ve come from and where we’re going. This book expands on that talk, with a focus on exponential population growth, the technological revolution and the ecological footprint of a global economy. Luckily for us, Suzuki also presents his vision of a sustainable future that is within our reach. A harrowing yet ultimately inspirational presentation from a vital voice of sanity.
Derek Hayes (UC Press)
It is difficult to describe all of the riches that Derek Hayes’ latest atlas project offers to the armchair historian. Its 200+ pages brim with more than 500 maps, photos, newspaper clippings, pamphlets, illustrations, advertisements and other historical ephemera, all succinctly explained and consolidated in Hayes’ descriptive yet succinct text. The journey begins with the earliest known maps of Washington and Oregon drawn up by explorers like Quadra, Barkley, Quimper, Gray and Vancouver – scrawled yet often elegant relics reflecting the limits of knowledge of the first Europeans venturing in to this rugged landscape – and gains sophistication as missionaries, railroad workers, miners, loggers and other settlers begin to push in to the territory. Later pages are devoted to the development of the interstate road system, national parks and forests, irrigation and hydropower, floating bridges and atomic and aerospace industries. Open to any page of Hayes’ bursting compendium and you’re likely to be engrossed by the diversity of materials and depth of research.

John Scurlock (Wolverine)
Flying a small, yellow, home-built airplane out of Concrete, John Scurlock explores the North Cascades in wind, weather and light that inspires most people to be safe and cozied up at home. The results of his extraordinary forays in to the inaccessible corners of this range are photographs of a landscape seldom seen before, a wintery terra incognito of terrifying beauty and austere grace. *Snow & Spire*, a collection of Scurlock’s aerial photography and his first publication, is a culmination of several years of determined labor and features stunning views of Baker, Shuksan, Forbidden, Terror, the Picketts and beyond, plus essays by WWU geologist David Tucker and mountaineering historian Lowell Skoog.

Thor Hanson (Basic Books)
Winner of the 2011 Northwest Booksellers Association book of the year award and a Library Journal Top 10 Science Book, *Feathers* tells the natural and cultural history of the feather – one of the most highly evolved objects in nature. Hanson is a conservation biologist with experience in the field studying everything from trees and songbirds in Costa Rica, bears in Alasks and gorillas in Uganda, and he possesses the rare gift of translating scientific concepts in to prose both captivating and poetic. Writing from his home on San Juan Island, Hanson takes the reader back to the Chauvet Cave in southern France, through Greek and Hindu mythology, up to recent discoveries using DNA fingerprinting, all the while exploring the development and uses of this evolutionary marvel.

Andrew Nikiforuk (Greystone)
Celebrated in Canada as one of their most engrossing nonfiction books of the year, journalist Andrew Nikiforuk focuses his honed investigative skills towards the tale of an insect “the size of a rice kernel” that has killed more than 30 billion pine and spruce trees from Alaska and northern British Columbia, down the Rocky Mountains range into Colorado and New Mexico. There are many villains in this man-made tragedy -- climate change, unsustainable logging practices, misguided science, a century of fire suppression – and the author makes his best attempt to draw lessons and look ahead into the unknown future of one of the world’s greatest natural heritage.

Hank Lentfer (Mountaineeers Books)
A finely-wrought memoir of a life lived in a remote town in southeast Alaska, Hank Lentfer weaves together threads of conservation, natural history, parenthood and family. Sandhill cranes, passing over the author’s home every fall on their journey between California and Alaska, serve as the inspiration for his quest to find hope in a world seemingly intent on crushing all things beautiful and natural.